In this discussion, you will examine how leadership influences organizational cu

In this discussion, you will examine how leadership influences organizational culture overall and specifically as it relates to inclusion of diverse people. You will explain why it is important for leaders to be inclusive of diverse people and cultures, and any personal experience you have with this. Finally, you will do some research and generate a list of ways leaders can be inclusive and authentic in their leadership. This list will be useful to identify ways you can enhance your own leadership in these areas.Prior to attempting this discussion forum,Read the required sections from Chapters 9, 12, and 14 from Leadership: Theory and Practice.Read Chapter 10 in An Introduction to Leadership.Consider your own experience observing and experiencing leaders’ support for diversity and inclusion in an organization of your choice.Find at least one resource (either scholarly or non-scholarly) on inclusive and authentic leadership. In your initial discussion forum post,Thinking about the organization you have chosen to focus on, discuss how leadership influences organizational culture overall, and, specifically, as it relates to inclusion of diverse people.Explain why it is important for leaders to be inclusive of diverse people and cultures, and any personal experience you have with this.Generate a list of four to six ways leaders can be inclusive and authentic in their leadership, based on information you have learned in the materials in this course. Reminder: Cite at least one scholarly or non-scholarly resources that supports your discussion. Guided Response: Reply to at least two of your peers by 11:59 p.m. on Day 7 of the week. In your replies to colleagues,Provide one to two additional insights or counterpoints, or share research to build on the discussion.Discuss other ways leaders can be authentic and inclusive.

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HH is a 68 yo M who has been admitted to the medical ward with community-acquire

HH is a 68 yo M who has been admitted to the medical ward with community-acquired pneumonia for the past 3 days. His PMH is significant for COPD, HTN, hyperlipidemia, and diabetes. He remains on empiric antibiotics, which include ceftriaxone 1 g IV qday (day 3) and azithromycin 500 mg IV qday (day 3). Since admission, his clinical status has improved, with decreased oxygen requirements. He is not tolerating a diet at this time with complaints of nausea and vomiting. Ht: 5’8”    Wt: 89 kg      Allergies: Penicillin (rash) .
Write a brief description of your patient’s health needs from the patient case study you assigned. Be specific. Then, explain the type of treatment regimen you would recommend for treating your patient, including the choice or pharmacotherapeutics you would recommend and explain why. Be sure to justify your response. Explain a patient education strategy you might recommend for assisting your patient with the management of their health needs. Be specific and provide examples. 3 APA references

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“Four Obstacles” – by Paulo Coelho (This is from a different edition

“Four Obstacles” – by Paulo Coelho (This is from a different edition of The Alchemist)

There are four obstacles [to achieving our own personal legends]: first: we are told from childhood onward that everything we want to do is impossible. We grow up with this idea, and as the years accumulate, so too do the layers of prejudice, fear, and guilt. There comes a time when our personal calling is so deeply buried in our soul as to be invisible. But it’s still there.

If we have the courage to disinter dream, we are then faced by the second obstacle: love. We know what we want to do, but are afraid of hurting those around us by abandoning everything in order to pursue our dream. We do not realize that love is just a further impetus, not something that will prevent us going forward. We do not realize that those who genuinely wish us well want us to be happy and are prepared to accompany us on our journey.

Once we have accepted love is a stimulus, we come up against the third obstacle: fear of the defeats we will meet on the path. We who fight for our dream suffer far more when it doesn’t work out, because we cannot fall back on the old excuse: “Oh, well, I didn’t really want it anyway.” We do want it and know that we have staked everything on it and that the path of the personal calling is no easier than any other path, except that our whole heart is in this journey. Then, we warriors of light must be prepared to have patience in difficult times and to know that the Universe is conspiring in our favor, even though we may not understand how.

………………..

Having disinterred our dream, having used the power of love to nurture it and spent many years living with the scars, we suddenly notice that what we always wanted is there, waiting for us, perhaps the very next day. Then comes the fourth obstacle: the fear of realizing the dream for which we fought all our lives.

Oscar Wilde said: “Each man kills the thing he loves.” And it’s true. The mere possibility of getting what we want fills the soul of the ordinary person with guilt. We look around at all those who have failed to get what they want and feel that we do not deserve to get what we want either. We forget about all the obstacles we overcame, all the suffering we endured, all the things we had to give up in order to get this far. I have known a lot of people who, when their personal calling was within their grasp, went on to commit a series of stupid mistakes and never reached their goal—when it was only a step away.

This is the most dangerous of the obstacles because it has a kind of saintly aura about it: renouncing joy and conquest. But if you believe yourself worthy of the thing you fought so hard to get, then you become an instrument of God, you help the Soul of the World, and you understand why you are here.

Paulo Coelho

Rio de Janeiro

November 2002

Translated by Margaret Jull Costa

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B12 deficiency & Shock – nursing homework essays

Please editing the following responses to have a better flow in APA 7th edition format. Please add any additional supporting information. Include intext citations and the references provided. 

Mr. X, age 57, presented to his physician with marked fatigue,nausea with occasional diarrhea, and a sore, swollen tongue. Lately he also hasbeen experiencing a tingling feeling in his toes and a feeling of clumsiness.Microscopic examination of a blood sample indicated a reduced number oferythrocytes, many of which are megaloblasts, and a reduced number ofleukocytes, including many large, hypersegmented cells. Hemoglobin and serumlevels of vitamin B12 were below normal. Additional tests confirm perniciousanemia.

Discussion Questions
1.Relatethe pathophysiology of pernicious anemia to the manifestations listed above.
perniciousanemia results from a vitamin B12 deficiency due to lack of intrinsic factor,(IF) a protein that helps your intestines absorb vitamin B12.

2.Discusshow the gastric abnormalities contribute to vitamin B12 and iron deficiency andhow vitamin B12 deficiency causes complications associated with perniciousanemia.
Thisprotein is released by cells in the stomach. When the stomach does not makeenough intrinsic factor, the intestine cannot properly absorb vitamin B12. Gastrectomycan significantly reduce the production of IF. A rare congenital autosomalrecessive disorder can result in deficiency of IF without gastric atrophy.

3.Discussother tests that could be performed to diagnose this type of anemia.
Folic acid deficiency, altered pH in the smallintestine, and lack of absorption of B12 complexes in the terminal ileum canalso cause megaloblastic anemia. Pernicious anemia must be differentiated fromother disorders that interfere with the absorption and metabolism of vitaminB12.

4.Discussthe treatment available and the limitations.
Pernicious anemiausually is easy to treat with vitamin B12 shots or pills. If you havesevere pernicious anemia, your doctor may recommend shots first. Shots usuallyare given in a muscle every day or every week until the level of vitamin B12 inyour blood increases.  You may need lifelong treatment, which includetaking vitamin B12 supplements daily. If you have complications of perniciousanemia, such as nerve damage, early treatment may help reverse the damage. You’realso at higher risk for stomach cancer.
 
Ms. L, a 19-year-old woman with no previous medical history, wasinvolved in a serious automobile accident in which her best friend died.Examination by EMT personnel first on the scene revealed she had only minorscrapes and bruises and no sign of head trauma. While en route by ambulance tothe hospital, Ms. L complained of thirst and appeared restless. Furtherexamination indicated a rapid pulse and respirations, with her blood pressurenow at 100/60 mm Hg. She appeared less responsive to the paramedics. She wasslipping into circulatory shock as they checked her again for internalinjuries.

Discussion Questions
1.Discussthe contributing factors to shock in this case and the pathophysiologic changescausing the changes in vital signs.
Beinga witness to her bestfriends death may have caused by trauma. Shock may resultfrom trauma, heatstroke, blood loss, an allergic reaction, severeinfection, poisoning, severe burns or other causes.

2.Discussthe signs and symptoms of shock, including the rationale for each, as seen inthe early stage, and as compensation mechanisms respond.
Whena person is in shock, his or her organs aren’t getting enough blood or oxygen. Changesin mental status or behavior, such as anxiousness or agitation. Blood pressuretends to drop to dangerous levels. Nausea or vomiting, enlarged pupils, weaknessor fatigue may also occur.
 
3.Discussemergency and follow-up treatment for shock and for complications that mayarise if not treated quickly.
Lay the person down and elevate the legs and feet slightly,unless you think this may cause pain or further injury. Keep the person stilland don’t move him or her unless necessary. Begin CPR if the person shows nosigns of life, such as not breathing, coughing or moving. Loosen tight clothingand, if needed, cover the person with a blanket to prevent chilling.
If untreated, this can lead to permanent organ damage or evendeath.

4.Comparethe types of shock, giving a specific cause, classification, and anysignificant changes in onset or manifestations.
 
       Cardiogenic shock (due to heart problems) – bradycardia
       Hypovolemic shock (caused by too little blood volume, traumaticinjury) decreased urine output, weakness, pallor
       Anaphylactic shock (caused by allergic reaction) Wheezing orgasping for air
       Septic shock (due to infections) feeling cold, extreme pain, tachycardia
       Neurogenic shock (caused by damage to the nervous system) cyanosis, lack of consciousness, slow heart rhythm
 
 
References
https://emedicine.medscape.com/article/204930-overview 

https://www.nhlbi.nih.gov/health-topics/pernicious-anemia#:~:text=Types%20of%20Treatment-,Pernicious%20anemia%20usually%20is%20easy%20to%20treat%20with%20vitamin%20B12,B12%20in%20your%20blood%20increases.

https://www.mayoclinic.org/first-aid/first-aid-shock/basics/art-20056620#:~:text=Shock%20may%20result%20from%20trauma,getting%20enough%20blood%20or%20oxygen.

 https://medlineplus.gov/ency/article/000039.htm

 
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GERM 1027 Essay #1 Length: Approximately 1,000 words Citation Format: MLA Tutorial:

GERM 1027 Essay #1

Length: Approximately 1,000 words

Citation Format: MLA

Tutorial: Upload your thesis statement to Brightspace by Jan. 31
Due Date: February 7 ( submit via Brightspace)

Here are some possible essay questions. Choose one. You are allowed to come up with your own question, but be sure to clear it with me first. Essays should be around five pages (not including the bibliography). As with the essay samples that I have included on Brightspace, you do not need a title-page; instead, you just need to include your name, your student number, the course number, my name, your TA’s name, and the date in the top right hand corner of the first page. Your essay should have a title that reflects not only your topic but your argument about that topic; an introductory paragraph that introduces your topic, suggests how it will be approached in regards to the text, and closes with a clear and specific thesis statement; supporting paragraphs organized around points that support your thesis and that open with a strong topic sentence; specific evidence from the primary text itself; and a strong conclusion that reinforces your thesis and suggests something about its wider implications. The essay samples on Brightspace are very clear in regards to what I am looking for, so be sure to look over these before and while writing. Be specific, be organized, and be sure to make good use of the text when making your case. When it comes to quoting from the text, be sure to comment on the quotes you use and incorporate them into your larger argument. If you have any questions while writing your essay, or if you would like me to look over a draft of your essay, please let me know.

What role does memory play in A Letter From an Unknown Woman and one of the other short stories by Zweig? To what ends? Possible angles to consider would be the role of the past, the effects of nostalgia, memory and confession, the faultiness of memory itself, etc.

What role does love play in A Letter From an Unknown Woman and one of the other short stories by Zweig? To what ends? Possible angles to consider would be the pain of lost love, young/naive love, the power of first love, the nature of devotion, lust vs. love, the links between love and cruelty, etc.

What role does class play in A Letter From an Unknown Woman and one of the other short stories by Zweig? To what ends? Possible angles to consider would be the gap between rich and poor, the impact of of economic destitution, the frivolity of wealth, etc.

What is the function of story-telling in A Letter From an Unknown Woman and one of the other short stories by Zweig? To what ends? Possible angles to consider would be the use of letters, the links made between memory and fiction, stories within stories, the “storyteller” figure, the concern over capturing the real vs. imagining a fiction, etc.

What is the role of accident and/or coincidence in A Letter From an Unknown Woman and one of the other short stories by Zweig? To what ends? Possible angles to consider would be chance meetings, mistaken identities, false impressions, missed opportunities, etc.

What connections are made between the past and the present in A Letter From an Unknown Woman and one of the other short stories by Zweig? To what ends? Possible angles to consider would be learning about the past only after it is past, failing to understand the past, trying to rectify the problems of the past, the loss of innocence that comes with the acquiring of experience, etc.

Discuss the role of revelation, both its presence and its absence, in A Letter From an Unknown Woman and Fantastic Night. The former withholds any real revelation, or at least it teases the reader with its possibility; the latter contains a moment of true revelation, even of epiphany, only to have the impact of this revelation be horribly and ironically overturned.

Discuss the role of World War I in two of the stories by Zweig. How does the war impact the plot and the characters of the stories? To what ends?

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Graded Assignment: #3 Research Project 51 pts 1.Create a formal group and

Graded Assignment: #3 Research Project 51 pts

1.Create a formal group and Show the following:

Name of group 1pt

The Organizational structure for the group 5pts

Outline Five Rules of the group 5pts

Outline Five functions of the group 5pts

Explain the Importance of this Group to society 4pts

Describe 3 Characteristics of the group 3pts

State three conflicts that may arise in this group 3pts

2. Prepare a brochure, flyer,newspaper clipping, booklet to advertise this group and attract members. 10 points (include values, expected behaviour, membership requirements, goals and benefits)

3. Design a Badge/logo also uniform for both male and female for this group. 15points

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Guidelines for Writing a Commentary on the UDHR/CCRF as Tools to Promote

Guidelines for Writing a Commentary on the UDHR/CCRF as Tools to Promote and Protect Diversity

For PAP3360

Compare and contrast the UDHR and CCRF in term of their origins and purpose.

Compare and contrast the key rights or sets of rights in the two documents.

Describe how the UN and Canadian leaders thought their documents could be used to promote and protect diversity.

Are we able to measure the effectiveness of these documents in terms of success or failure?

How complete are these two documents in covering the spectrum of human rights to protect and promote diversity and in resolving disputes over which rights should have priority over others?

Provide your overall personal opinion on the value of these two documents in promoting and protecting diversity and give your views as to which one is the better instrument.

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GUIDELINES FOR WRITTEN PAPERS IN HUMANITIES PROFESSOR DELMA ILES Topic – The

GUIDELINES FOR WRITTEN PAPERS IN HUMANITIES

PROFESSOR DELMA ILES

Topic – The paper must fulfill the assignment by directly addressing the topic assigned.

Length – The paper must meet the specific assignment for length. Essay #1 and Essay #2 are 250-300 words in length. Essay #3 is 900-1,000 words in length. Points will be deducted proportionately for papers that are shorter than the length assigned (there is a 15 word leeway). Microsoft Word provides a word count in the lower left hand corner of the screen. Papers that are longer than the length assigned may be returned to the student for reduction.

Heading – The heading at the top of the page should contain:

Title of Paper

Name of student

Name of Course

Name of the performance, exhibition, or event and name of the company, ensemble, architect, composer, or artist(s)

Date the assignment is handed in

Typeset & Font – All papers must be typed. Fonts must be 12 points, no larger or smaller. Fonts may vary, but must be clearly legible. (No Gothic, etc.)

Spacing – Papers may be single or double spaced.

Margins – One inch margins (top, bottom, left & right) are required.

CONTENT

STUDENTS MUST WRITE ABOUT SOMETHING EXPERIENCES DURING THE COURSE OF THE SEMESTER. STUDENTS MAY NOT WRITE ABOUT THINGS THEY DID PRIOR TO THE START OF THE SEMESTER.

Each paper must be on a different humanities topic: dance, theater, music (including opera, choral performances, and musical theater such as Broadway shows), visual arts (If you visit a museum, virtually or in person, it must be an art museum.), architecture, film (only classic films are allowed.)

Identify the location of the performance or event. Is it a theater? Museum? Gallery? Church? Community Center? Park or garden? Etc. If the location is important in the experience of the event, explain why.

Describe in detail what you saw or heard.

If a costume is important, describe the costume. If a musical instrument is important, describe the instrument. If a particular design or style is important, describe the design. If you are not familiar with the design or style, research it. If a person’s voice is important, describe the sound of that voice (or group of voices).

Some elements that might be important: Visuals such as colors, textures, geometric shapes, directions of travel (where movement is concerned), levels (high, low, medium), scale (very large to very small), physical relationships between/among people or groups of people, physical relationships between/among objects. Is the work emotional, intellectual, spiritual, political, religious, cultural, etc?

In the case of a visual arts or sculpture exhibit, identify the medium: photography (digital or film), oil paint, tempera, watercolor, pen and ink, woodcut, lithograph, mosaic, etc. Was there a theme? If so explain the theme. Describe the colors, textures, scale of the works, important shapes or designs. Identify the primary artistic intent of the work.

In the case of a music performance, identify the style: jazz, blues, classical, Renaissance, folk, flamenco, raga, cultural, etc. Also identify the form: song, opera, symphony, sonata, improvisation, etc. Identify the volume of the music: loud, soft, medium, etc. Identify the number of musicians or singers. Why is this the appropriate number of performers for the type of music you heard? Identify the musical instruments used. What did the music sound like? Rhythmic? Harsh? Delicate? Soulful? Romantic? Sad? Lonely? Exciting? Or combinations of these and other elements?

In the case of an opera performance, use the instructions for both music and theater, or music and dance, if applicable.

In the case of a dance performance, identify the music (if any), the number of dancers and the style of dance: ballet, jazz, tap, modern dance, flamenco, folkloric, cultural (and the culture it comes from), ballroom, etc. Describe the costumes, music, and any scenery or props. Describe any patterns or formations the dancers are making: straight lines, circles, wedge shapes, starburst, couples, trios, etc. Describe the movements the dancers are executing: turning sliding, leaping, stretching, kicking skipping reaching, etc. Explain the primary artistic intent of the dance: story, mood or emotion, abstract, etc.

In the case of architecture, identify the function of the building: theater, courthouse, home, apartment, office building, school, cathedral, mosque, technically specific for a particular function (such as an airport), etc. Identify the materials it is made of: concrete block, marble, wood, glass, mud, steel, brick, combinations of any of the previous plus other materials as appropriate. Identify the style of the building: classical, baroque, modernist, primitive, Islamic? Is the building well designed for its intended use? What makes this so or not so? In the case of an architectural exhibition, describe the theme or idea for the show. How was this communicated? Photos, models, descriptions, examples of materials, etc.

*If you choose to write about architecture, you must visit the building in person. Take a selfie of yourself at the building to prove that you were there. Email the selfie to the instructor or imbed it into the paper. Virtual tours of a few buildings are available in the Course Resources folder. A list of approved buildings is provided at the end of this document.

In the case of a theater performance, summarize the plot (1-2 paragraphs). Describe the costumes, scenery, and props and any background music or sound. Explain the role(s) of the main characters. Describe their personalities and what their relationships are like: loving, angry, confused, domineering, shy, control issues, etc. Explain the theme of the play. What is the primary dramatic conflict? How is it resolved? Or does it go unresolved? DO NOT SIMPLY RE-TELL THE PLOT!

In the case of a film (You may only write about classic films.), identify the film’s director and the year it was made. Briefly summarize the plot (1-2 paragraphs), if relevant. Explain the dramatic conflict(s) and how they are resolved (or not). Identify the filmmaking techniques that are part of the director’s style. Refer to the Notes on Film document that was introduced in Week #1. (close-up, long shot, montage, form cut, etc.) Explain how the director uses these to enhance the film. DO NOT SIMPLY RE-TELL THE PLOT!

*STUDENTS ARE RESTRICTED FROM WRITING ABOUT ANIMATED FILMS AND ARE ALSO RESTRICTED FROM WRITING ABOUT FILMS INTENDED FOR CHILDREN (with the exception of The Wizard of Oz).

General:

Give your evaluation of the skill level of the artist(s) or architect. Give your opinion of the event you attended. Was it artistically successful? If so, why? If you feel that it was not successful, explain what was missing.

Write your paper so that a person who did not attend the event could read it and have a good picture in his/her mind of what the event was like! Do not include photos with your paper. The written content of the paper must explain everything. You may not use photos to substitute for quality written content.

RESTRICTIONS

Since live performances are currently problematic due to the coronavirus pandemic, you have been provided with a list (with links) of online performances that you may view in order to write your papers. You must use this list. If you want to write about something that is not on the list, or if you would like to attend a live performance or go to a museum or architectural site in person, you must get permission IN ADVANCE from the instructor (with the exception of the architectural sites listed in this document). All performances must be professional performances. This means that the performers are paid and their art form is their principal source of employment.

Film: you must view and write about a classic film. Use the lists of 100 Classic Films on the Rotten Tomatoes website to make your selection. You may also attend a film at the MDC-owned Tower Theater. If you attend a film at the Tower Theater, turn in your ticket stub with the essay. You are restricted from writing about animated films.

Visual Arts: There are some art galleries and museums that are currently open, and you may go in person to one of these if you wish. Attach a copy of the museum ticket or admission receipt to your paper as proof that you went. The Wynwood Walls are recommended for those who want to experience visual arts in person. Because everything is outdoors, it is a safer environment than a museum or gallery. For those students who are not comfortable going to something in person, there is a list of virtual museum and gallery tours that you may select instead included with the list of performances in the Course Resources folder. *The list in Blackboard is pre-approved, so you do not need to obtain permission in advance.

*Students may not write papers about films, performances, sites, and events that we have covered in class.

WRITING SKILLS

The three papers assigned in this course are all assigned as formal papers, requiring formal writing. They will not be accepted in note form or any format other than formal writing.

All papers must be written in correct English!

When writing about a real person or a fictional character, initially refer to the person by both his/her first and last name. Thereafter, use the last name only (not the first name) unless you know him/her personally. Children may be referred to by their first names. In the case of two people with the same last name (such as brothers), use both first and last name throughout the paper.

One point per mistake will be deducted for the following:

Write a formal paper in first person, or third person, but not second person.

Spelling – every instance! USE SPELL CHECK! Beware of homonyms (words that sound alike, but are spelled differently) and make sure you are using the correct one!

Subject/verb agreement

Proper use of singular & plural

Proper use of tense of verbs

Correct sentence structure

Capitalization of all proper nouns – Remember that the rules for this are different in English from those in Spanish and many other languages.

THE NAMES OF ALL DANCES, MUSICAL COMPOSITIONS, FILMS, BOOKS, PLAYS, OPERAS, POEMS, PERIODICALS, ARE CAPITALIZED AND ARE PLACED IN ITALICS OR QUOTATION MARKS!

Use of commas, colons, semicolons and quotation marks.

Compound sentences, prepositional phrases and subordinate clauses.

Numbers – write out numbers in a formal paper with the exception of dates, amounts of money that require more than two words, and mathematical calculations. Numbers greater than 1,000 can be written numerically. Numbers that appear at the beginning of a sentence must always be spelled out.

Quotations. Always place someone else’s actual words in quotation marks and identify the source.

PLAGARISM

Please refer to the MDC Student Handbook for college-wide policies on plagiarism. Plagiarism is considered an academic felony! Plagiarism in a written paper (even one sentence) will result in a minimum penalty of a grade of 0 for the paper and a maximum penalty of expulsion from Miami Dade College, depending on the gravity of the offense.

Tips:

Remember that written English is different from other languages. Do not attempt a direct translation from another language.

If you are writing a paper about a performance and use material printed in the program book or exhibit publication, you must place the material in quotation marks and cite the source.

Read your paper out loud, preferably to another person who is an experienced writer, and listen to hear if it makes sense, if it sounds natural and logical.

Don’t wait until the last minute to write your paper – you are very likely to make mistakes and not catch them.

HELP IS AVAILABLE!

There is a writing lab in the computer courtyard; you are encouraged to use it as a resource to assist you in developing strong written compositions. The Writing Lab brochure that explains how to make appointments is included in the Course Resources folder.

Resource: The Elements of Grammar by Margaret Shertzer. This is a small, inexpensive book that provides easy guidelines to grammar and the rules of writing.

*If you do not understand the instructions in this guideline, please see the instructor. You may need to take a course in basic writing before attempting this course!

PRE-APPROVED BUILDINGS FOR ARCHITECTURE PAPERS (some may be closed at this time)

Perez Art Museum Miami, downtown

Bacardi Building, Biscayne Blvd.

Villa Vizcaya

Freedom Tower (Write about the architecture, not the exhibitions in the museum.), Wolfson Campus

Espirito Santo Bank/also known as the Brickell Arch, Brickell Ave.

Old Spanish Monastery, North Miami

Regal Cinema on Lincoln Road, Miami Beach

The Atlantis (residential building on Brickell)

Biltmore Hotel, Coral Gables

Coral Gables City Hall

Delano Hotel, South Beach

Ritz Plaza Hotel, South Beach

Raleigh Hotel, South Beach

Fountainebleau Hotel, Mid-Beach

New World Center (New World Symphony building, South Beach)

Adrienne Arsht Center for the Performing Arts, downtown

Alfred I. Dupont Building, downtown

Miami-Dade County Courthouse (old courthouse, not the new one), downtown (Currently closed for structural repairs.)

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3.1 Discussion: Early Sociologies of Crime Part 2 – Criminology

3.1 Discussion: Early Sociologies of Crime Part 2 – Criminology

 
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Risk Factors for GoPro

Risk Factors
Contingency plans and risk management: You should consider the possible risks to your business and make contingency plans to address them. You note some possible risks under the “weakness” and “threats” sections of your SWOT analysis. Identify steps you can take to either reduce risks or work around them if they occur.
 

 
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